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Costume Designer Chen Yao: I See The Fashion Design Of The Red Chamber.

2010/9/30 13:06:00 43

Fashion Design Of Hong Lou

The new version of the Red Mansion is the work of Ye Jintian's master. It is not worthy to comment on the new version of the costume design of the dream of Red Mansions.

It's only a sectarianism. It sends its own feeling in its own three acres.



I myself was a fan of miss Ye Jintian, and his works had the special temperament of Hongkong people toward Chinese classical aesthetics. A few days ago, thanks to his work, he was lucky enough to meet him in the beautiful corridor at the nine meeting of the Kunqu theme club.

If I were in a red mansion before, I thought I would be in a crowd to express his affection for him, but this time he was the director of fashion design as a dream of Red Mansions. His disrespect for the original deeply hurt me, a red fan's feelings.

At that time, thousands of dynasties came to me, and I only greeted a low "hello" teacher.



Speaking of the view of the Red Mansion, I have to say too much and too ruthlessly, so as not to be like a grieving woman. I am determined to only "apologize" for Chai Dai, and the other ten beauties have the opportunity to come up and decompose.



Daiyu's image of wearing large white flowers in the play is everywhere.

This piece of makeup is fortunately not, so that I can finish this paragraph calmly.



From a styling point of view, clothing is known for its heavy lines. It is said that there are 6 of them. It looks huge and luxurious, but the beauty of elegance and elegance can not be found.

How can thin Lin sister withstand such a heavy dress.

The clothes were covered with sequins and bead embroidery, which seemed too old and rich.

In style, don't mention Mr. Lin's meticulous description of Lin's sister's dress. Even the most classical embroidery on classical clothing, ye teacher is also mean to add that expensive lace is just an industrial product. He can not replace Lan Zhuju, who is hand embroidered, and can not convey the Humanistic Heritage of Chinese classics.

Is this the result of Mr. Ye's feeling of Cao Xueqin's background?



The fortieth is Dai Yu's birthday. She wears a long dress with a long bra, and a lace fabric with a wrinkled knot tied around her shoulders. She swims with her sisters in the hall.

The whole design made Jiang Mengjie stand tall and wide, and I really couldn't bear to finish reading it.

Bare neck and chest are very dazzling. (maybe they are not as thin as actors). Where is a little implicit beauty?

Hearing this, behind the cool hair, I feel that the director Li Shaohong will jump out and always ask the red fan's tone, "who says Lin Daiyu can't open his chest?"

OMG!! I just want to say that the fabric design is not elegant, even if it can be spared. The design that does not match the character must not be allowed to be spared.

Clothing is an important tool to help create characters. How can we despise it?!



The interpretation of Bao Chai with white is very much in line with the red fan complex.

The same as Lin sister and other sisters, lace instead of classical embroidery, the entire lace fabric makes the whole garment without visual center, which is fatal.

Looking carefully, the lace pattern is quite modern.

Just for the big effect?

Is it a luxury, aristocratic atmosphere, a well chosen and costly banner, so we send our Chai Chai in mind?

The sparrow coat and the jade mouse can be built at the expense of manpower and money. Can we not elaborate on our bright snow like treasure Chai?

With the love of Teacher Yu Ye, I still believe that this is just too personal style design.

Did not take into account the dream of Red Mansions belong to the vast majority of red fans!



 
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