Fashion Design Is Committed To Carrying Out Neoclassical Practices.

< p > because I think there are many beautiful things in Chinese traditional culture. They have been forgotten.

But I think we can revive them in a new way, and let them stand on the stage of fashion in a new way.

< a href= "//www.sjfzxm.com/pioneer/" > Ji Cheng < /a >.

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< p style= "text-align: center" > < img border= "0" align= "center" alt= "" src= "" /uploadimages/201312/06/20131206082737_sj.JPG "/" < > > "

< p > has studied in Milan, Italy, "M Ji Cheng r Ji Ji ngoni", the famous a href= "//www.sjfzxm.com/news/index_c.asp" > Fashion Design /a school, Ji Cheng, has served as the designer of the two major brands of "B Ji Cheng SiC Krizi GI Cheng" and "Hou Ji" in Hongkong.

Later, he was the visual art director of the Italy women's clothing brand "D" Ji Cheng.

In 2002, she founded her own brand, "L Ji Cheng vie", a brand that combines Chinese elements with western style cutting and Oriental humor.

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< p > the famous designer brand JI CHENG joined hands shoe brand sheme on the Shanghai fashion week to release the 2014 spring and summer women's wear series.

This series of women's clothing salutes the great works of Chinese classical art, inspired by the classic love work of Tang Xianzu, the Peony Pavilion in Ming Dynasty, and shows the JI CHENG's aesthetical charm in fabric and color selection.

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< p > in order to match this season's unique "a href=" //www.sjfzxm.com/news/index_c.asp "fabric > /a", the designer has specially designed two traditional Chinese patterns as a combination. The loopholes carry out all the clear "window patterns" and the "jacquard effect of sea water dragon pattern", which is a symbol of all kinds of sea water. Combined with the soft modern color system, the modern works of Oriental beauty are finally presented and become the finishing touch of this series.

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Reporter: as a local designer, what do you think of the development of Chinese design? < /strong > /p > P > strong

< p > Ji Cheng: I think Chinese design is attracting more and more international attention.

Because with the acceleration of China's economic development, the concept of Chinese design is constantly concerned and recognized by the world, especially the rise of Chinese creative power and the endless extension of the essence of art in design.

We all feel that the age of Chinese designers has arrived and will surely develop better.

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< p > < strong > reporter: you always combine classical and modern elements well. How do you do this? < /strong > /p >

< p > Ji Cheng: I like to improve the Chinese elements and combine modern clipping to show another visual effect. The theme of Chinese elements is represented in an abstract way.

It will also be designed according to the customer's clothing habits in different countries, and at the same time, combining comfort and function.

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Reporter: will p continue to adhere to this style of combination of classical and modern? < /strong > < /p > strong.

< p > Ji Cheng: Yes.

Because I think there are many beautiful things in Chinese traditional culture. They have been forgotten.

But I think we can revive them in a new way, and let them stand on the stage of fashion in a new way.

I will always persist in excavating classical elements, because I love them very much.

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< p > < strong > reporter: can you introduce the series of "Peony Pavilion and garden dream"? < /strong > /p >

< p > Ji Cheng: the whole series borrows flowery brocade, the gentle beauty of human like water, combines the color of green jade and rouge, depicts a beautiful scene of Fangfei's spring scenery.

This time, I used the classic skills of multi-layer York pleat. This is a very complicated process. Manual and machine matching is needed to fold the fabric and make it set at high temperature. It ensures that every process from plane to stereo does not leave flawed, which makes the folds show exquisite luxury and beauty.

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